The Yan-an literature and art is a particular phenomenon in contemporary history of Chinese and foreign literature and art. It witnessed dynamic development during the formation of its literature and aesthetics and the practice of discourse, involving the critical role of literature movement and modern media. The Yan-an Rectification Movement of Literature and Art features profound influences as a mass campaigned in the history of the Chinese Communist Party. Special historical context, social and political environment have exerted varying influences upon its birth and growth. In particular, the supplements of the Liberation Daily, as one key participant in the Yan-an Rectification Movement of Literature and Art, kept all-round accounts of the campaign's inception and development, conserving in full the works of art in their historical contexts. Though the above, the supplements of the Liberation Daily were generally hold in oblivion. It would be a meaningful research to look into the interaction between the supplements and the Yan-an Rectification Movement of Literature and Art, to investigate the history of the transformation of literature, to understand the origin of the development of the literary history and to disclose the omitted in the process of the researches on literary history of the complex Yan-an literature and art. By looking into the relationship between the supplements of the Liberation Daily and the Yan-an Rectification Movement of Literature and Art, this paper mainly studies the evolution of the Yan-an Rectification Movement of Literature and Art as well as conscious practice of the Liberation Daily. Apart from that, this article discusses the correspondence between the works of art on the supplements of the Liberation Daily and the Yan-an Rectification Movement of Literature and Art chronologically over the campaign. By looking into the Yan-an Rectification Movement of Literature and Art before and after the revision of the Liberation Daily, this paper looks into intrinsic relationship between them. By making comparisons in respect of writers, texts, readers and styles, this paper studies the reform on literature proposed by the supplements of the Liberation Daily during the Yan-an Rectification Movement of Literature and Art. At last, this paper looks into the role the supplements of the Liberation Daily played in the Yan-an Rectification Movement of Literature and Art, i.e. presenting the characters and development directions of the new literature with the insight into the humanity and pursue of the art, the selective reforms over generations bringing about the practice concerning the “popularization” and propelling the waking-up of the people in the new literature. By learning from the new styles of the May Fourth Movement and the people, the supplements of the Liberation Daily as well as the Yan-an Rectification Movement of Literature and Art reconstruct the new Chinese literature. So as to restore the literature picture of the supplements of the Liberation Daily, this paper focuses on the function and meaning of the literary supplements and art and literature movement. Keywords: the supplements of the Liberation Daily; Yan-an Rectification Movement of Literature and Art; Literature and Art of Yan-an; New Literatur

在中外現代文藝史上，延安文藝是極為特殊的一種文藝现象。它在文藝觀念與審美形態的形成以及話語實踐過程中經歷了一个動態發展的過程，文學運動、現代傳媒都在其中發揮了重要的作用。延安文藝整風作為中共產黨歷史上一次大規模的文藝運動，影響深遠。它在產生與發展的進程中，深刻的歷史背景、特殊的社會政治環境等都曾在不同程度影響著它的進程。而《解放日報》副刊作為延安文藝整風中至關重要的一個因素，由始至終貫穿於方方面面，它記錄了延安文藝整風發生、發展的歷史過程，鲜活地保持了歷史語境中的創作原貌，卻常常被忽略掉。探索《解放日報》副刊與延安文藝整風之間的互動關係，縱觀文學轉型的歷史深處，理解文學史發展的淵源，在多元與複雜的延安文藝中挖掘文學史研究中被忽视的存在，是一次積極的探索。 本文從《解放日報》副刊與延安文藝整風二者關係著手，以延安文藝整風的演變與《解放日報》的自覺實踐為内容進行論述。依據時間順序論述延安文藝整風前後延安《解放日報》副刊的文學作品同延安文藝整風進程上的呼應，從《解放日報》改版前後延安文藝整風運動的發展進行論證，考察二者發生、發展的内在聯繫。從創作主體、文本内涵、讀者接受和文論風格上進行比较，論述延安文藝整風前後延安《解放日報》副刊推動的文學變革。最後在十字交叉的軸心上窺視《解放日報》副刊文學的生產與傳播在延安文藝整風規訓的進程中發挥得重要作用:依著对人性的審视，保持著對藝術性的執著追求，呈現出新文學新的特點舆發展方向;在傅承中不斷的選擇性改造，形成了關於“大眾化”的實踐，促進了新文學的民族化覺醒。從文學典型塑造的角度考察《解放日報》副刊與延安文藝整共同作用下的延安文藝對五四新形式、民間形式的继承與借鉴，重新構築的新中國文學形態的過程。以求更為清晰的還原特殊時代背景下延安《解放日報》副刊的文學面貌，考察在特殊地域獨特社會史時期文學副刊舆文藝運動發揮的作用及其所承载的意義。 關鍵詞:延安《解放日報》副刊 延安文藝整風 延安文藝 新文學