The alternation of traditional view on the Book of Songs to contemporary survey on the Book of Songs occurred in the 20th century. 1920s is the very period of the change happened. During this particular decade, Gu Jiegang gave a revolutionary criticism to traditional avocation on the Book of Songs which formed the foundation of contemporary research on the book. His study is typical of others of the same time. This thesis attempts to investigate Gu Jiegang's understanding of the Book of Songs by concentrating on his study of the book. Based on his research-oriented classification on ancient literature of the Book of Songs, combined with his unique methods of history study namely questioning the ancient viewpoint and investigating the truth, the following conclusion is reached, Gu Jiegang's study on the Book of Songs are conducted from two aspects, namely events occurred in that particular period and the influence from his teachers and friends. Key words: Contemporary study on the Book of Songs; Research oriented classification; question the ancient viewpoints and investigate the truth; Analysis of Ancient History

傳統《詩經》研究到現代《詩經》研究的轉型發生在二十世紀，其中二十年代是一個尤其關鍵的時段。在此之前，顧頡剛等人對傳統《詩經》研究進行了深入的批判，為現代《詩經》研究的發展奠定了基礎。他的研究在當時具有代表性。 本文擬以顧頡剛《詩經》研究為個案，考察顧頡剛對《詩經》的接受，通過他對古代遺留《詩經》文學著作進行的研究性整理，如他對鄭樵《詩辯妄》、姚際恆《詩經通論》和王柏《詩疑》的整理，同時參考他的《詩經》研究文章，如《古史辯》第一冊、第三冊收錄的研究專文與討論實錄，同讀書筆記，並結合他的歷史研究方法特色，即大膽疑古考信，從時代事件、師友交游兩方面分析他《詩經》研究概況之成因，從而得出一下結論：顧頡剛的《詩經》研究的基本面貌是由時代因素決定的。 關鍵字：現代《詩經》研究，研究性整理，疑古考信，《古史辯》